VFX Supervisor Paul Lambert’s account of using machine learning and a Puget Systems workstation to color Fremen eyes their startling blue in Dune: Part Two.
Aharon Rabinowitz: Getting Real with Unreal
School of Motion was a perfect fit for Aharon, an artist who is always working to help educate the community through his own creative experiences and also constantly learning from the community as he takes on new challenges.
